Local band Stop Light Observations to perform at First Flush Festeaval, then Bonnaroo

Local band Stop Light Observations to perform at First Flush Festeaval, then Bonnaroo

In terms of rising to rock stardom, Stop Light Observations technically should still be in its infancy. The group of 20- to 21-year-olds has been...

Second annual Charleston Beer Garden aims for educational fun in the sun at Brittlebank Park

Second annual Charleston Beer Garden aims for educational fun in the sun at Brittlebank Park

There may not be any lederhosen-clad Bavarian types strolling the grounds at this weekend’s Charleston Beer Garden, but there will be a...

Queen of the Blues: Bonnie Raitt still reigns supreme after four decades

Queen of the Blues: Bonnie Raitt still reigns supreme after four decades

The instinct to help people is ingrained in Bonnie Raitt’s DNA, likely somewhere near the gene that gives her the ability to play a mean blues...

‘Star Trek Into Darkness’ has many high notes yet somehow steers its way off course

‘Star Trek Into Darkness’ has many high notes yet somehow steers its way off course

The giddiness of “Star Trek” is gone, but “Star Trek Into Darkness” maintains its love of character and pathos, the other...

‘Star Trek’ director J.J. Abrams takes USS Enterprise in a surprising direction

‘Star Trek’ director J.J. Abrams takes USS Enterprise in a surprising direction

‘You just made my day,” director J.J. Abrams said, exhaling with relief.

Event Calendar

Add an Event | More

Don’t let this ‘Thief’ steal two hours of your time

Friday, February 8, 2013

Universal Pictures/AP: Melissa McCarthy and Jason Bateman in a scene from “Identity Thief.”

In “Identity Thief,” Melissa McCarthy gets smacked in the face with a frying pan, conked on the head with a toaster, run over by a car and suffers a hundred other bits of violent slapstick, and you laugh almost every time. Then the moment passes, and the movie reverts to crummy.

Movie review

  (out of five stars)

Director: Seth Gordon

Cast: Jason Bateman, Melissa McCarthy, Amanda Peet, Jon Cho, Jon Favreau. T.I., Genesis Rodriguez, Robert Patrick

Rated: R for vulgar language, brief violence, adult themes

Running time: 1 hour, 52 minutes

More photos: For more photographs from the film, check out the review on charlestonscene.com.

  • Jason Bateman and Melissa McCarthy in a scene from “Identity Thief.” Jason Bateman and Melissa McCarthy in a scene from “Identity Thief.”
  • Jason Bateman and Melissa McCarthy in a scene from “Identity Thief.” Jason Bateman and Melissa McCarthy in a scene from “Identity Thief.”
  • Melissa McCarthy in a scene from “Identity Thief.” Melissa McCarthy in a scene from “Identity Thief.”
  • T.I. and Genesis Rodriguez in a scene from “Identity Thief.” T.I. and Genesis Rodriguez in a scene from “Identity Thief.”
  • Director Seth Gordon on the set of “Identity Thief.” Director Seth Gordon on the set of “Identity Thief.”

McCarthy is an immensely likable screen presence who is fearless at making herself look ridiculous, and the combination of her girth and surprising agility recall “Animal House”-era John Belushi. Unfortunately, no matter how hard McCarthy tries, “Identity Thief” remains an unsalvageable wreck.

She plays Diana, a loud and gregarious woman who looks like a super-sized Raggedy Ann doll. Diana is a computer-savvy con artist who tricks people into giving her their Social Security numbers and birth dates, then cranks out fake credit cards and goes on costly shopping sprees. But she picks the wrong target when she goes after Sandy (Jason Bateman), a husband and father of two kids with another on the way who has just gotten a promotion when the police show up accusing him of credit fraud.

“Identity Thief” was directed by Seth Gordon, who made the amusing “Horrible Bosses” but also the torturously unfunny “Four Christmases.” Sadly, that’s the one his new movie most resembles. Sandy, who lives in Denver, heads out on a road trip to Florida, where Diana lives, to track her down and somehow bring her back to Colorado so he can clear his name. To say that she won’t go easily is an understatement.

Most unforgivable of all “Identity Thief’s” sins is the dreaded third-act veer into sentimentality, with tearful confessions and heartwarming revelations and Diana’s transformation from ugly duckling into a beautiful swan. Turning McCarthy into an object of misunderstood pity who only needed a beauty makeover and a nice dress to fit in with society undercuts everything that’s funny about her performance. The actress tries her best to sell the poignancy, but her talent only makes it worse, because you start feeling sorry for her character, and “Identity Thief” apparently forgets it was supposed to be a comedy.